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Out Now! The New Issue of Contributor is here
What’s in the box? Instead of a conventional magazine format, we continue to package Contributor in a box. Inside you’ll find a selection of large prints in two different sizes and one poster. We’re thrilled to have the actress Katherine Waterston on the cover. Waterston’s lived-in, full-bodied, and palpable commitment is why she’s become a reliable source for a variety of directors looking to infuse their characters with a visceral complexity, a nuanced humanity, that’s difficult to find elsewhere.
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Fashion Story: Will you be there
Photography by Jasmin Storch and fashion by Josephine Bergqvist.
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Jasmin Storch and Christopher Insulander. Reflections.
From Our Latest Issue. Photography by Jasmin Storch and styling by Christopher Insulander.
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Fashion Story: Sold on solitaire
Photography by Jasmin Storch and fashion by Christopher Insulander.
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Out Now! The Latest Issue of Contributor Available
Our latest print issue is now available for purchase online.
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From Our Latest Issue: Where We Lay
Photography by Jasmin Storch and fashion by Christopher Insulander.
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Out Now! Our New Print Issue of Contributor is here
The theme that runs through our latest print issue is CASTING AND COLLECTIONS. Both are central concepts in fashion. The mechanism behind changes in fashion can be compared to a kaleidoscope. Unreliable pieces of clothing are always in flight, ready to become something else. The key to taking hold of these fleeting moments is usually to look at a designer’s handiwork in detail from collection to collection, since clothing derives its consistency from its role as part of a series. Other paths to finding a narrative in fashion are through styling or photography. Patterns seen through the fashion kaleidoscope can, however, easily be freed of their current meaning. After giving it a few violent shakes, they can go from being interpreted as frivolous to provocative and offensive, by rearranging the compositions and shaping themselves into different meanings. By using the kaleidoscope as a metaphor for fashion in this issue entitled CASTING AND COLLECTIONS, we look back at the modernist writers of the early twentieth century who frequently returned to the image of the optical instrument in their writings. When describing the modern experience in “Arcades Project,” Walter Benjamin for one, writes that: “Every age unavoidably seems to itself a new age. The ‘modern,’ however, is as varied in its meaning as the different aspects of one and the same kaleidoscope.