Photography by Magnus Magnusson and fashion by Sofie Krunegård.
The theme that runs through our latest print issue is CASTING AND COLLECTIONS. Both are central concepts in fashion. The mechanism behind changes in fashion can be compared to a kaleidoscope. Unreliable pieces of clothing are always in flight, ready to become something else. The key to taking hold of these fleeting moments is usually to look at a designer’s handiwork in detail from collection to collection, since clothing derives its consistency from its role as part of a series. Other paths to finding a narrative in fashion are through styling or photography. Patterns seen through the fashion kaleidoscope can, however, easily be freed of their current meaning. After giving it a few violent shakes, they can go from being interpreted as frivolous to provocative and offensive, by rearranging the compositions and shaping themselves into different meanings. By using the kaleidoscope as a metaphor for fashion in this issue entitled CASTING AND COLLECTIONS, we look back at the modernist writers of the early twentieth century who frequently returned to the image of the optical instrument in their writings. When describing the modern experience in “Arcades Project,” Walter Benjamin for one, writes that: “Every age unavoidably seems to itself a new age. The ‘modern,’ however, is as varied in its meaning as the different aspects of one and the same kaleidoscope.
Photography by Magnus Magnusson, fashion by Stefanie Miano, beauty by Karin Westerlund@B-Agency Paris and modeling by Carmel.
Photography by Magnus Magnusson and fashion by Stefanie Miano. Click for details.
Photography by Mackenzie Duncan and fashion by Stefanie Miano. Click for details.
Photography by Alex Brunet, hair by André Cueto Saveedra, make-up by Karin Westerlund and styling by Hélene Starkman. Click for details.
Linn Gustafsson shows us why we never can have too many shirts. Photography by Magnus Magnusson, click for details.