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ONE OF A KIND: ELIN ELFSTROM
From our latest issue, paintings by artist Elin Elfstrom. Click for details.
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Interview with Cover Star Courtney Love
I was once taken to an amazing dinner at Billy Wilder s apartment and he told me I reminded him of Carole Lombard. I was rather shocked that such an auteur thought of me as funny. Interview with Courtney Love from the latest issue.
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Trying and Failing. On Ann-Sofie Back by Philip Warkander
Since the launch of her eponymous brand in 2001, followed by the more commercially motivated Back in 2005, Ann-Sofie Back has incorporated materials that aren’t what they first appear, and worked with details deliberately set out to confuse. This tactic of confusion and playful disorientation challenges two of the most fundamental concepts within fashion theory: “distinction” and “imitation.” By Philip Warkander
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Interview with Walter Van Beirendonck
“We were called the Antwerp Six because the English press didn’t know how to pronounce our names. We showed our work together in London in the 1980s and it had an impact on how we were perceived. It would be impossible to reproduce this now.” Interview by Philippe Pourhashemi and photography by Julien Claessens.
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Beauty is no End in Itself by Fumi Nagasaka
From our latest issue. Photography by Fumi Nagasaka and styling by Fashion Editor Christopher Insulander.
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ONE OF A KIND: Christopher Insulander
From our latest issue. Styling by Fashion Editor Christopher Insulander, photography by Joel Rhodin and Thomas Klementsson. Click for details.
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SHORT STORY: CARS
A short story by Stephen Moles from our latest issue. Photography by Ninja Hanna and fashion by Hanna Holmgren. Click to read the whole story.
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Making a Difference. Ann-Sofie Back and the Fashion System
My first encounter with Ann-Sofie took place at Beckmans College of Design in the mid-nineties. She was a student in fashion design and I was a guest teacher, doing a course in fashion communication. Since the course was quite short, about a week, I didn’t get any real insight into what Ann-Sofie was about, but what struck me was her extremely personal and intellectual approach to fashion, something unusual in Swedish fashion education at the time. By Maria Ben Saad
