From our 10 year anniversary issue. “The latest weaves are called Pattern of Thoughts. They don’t have any predetermined patterns, rather they are a kind of visualization of how my brain works when I weave. I try to have lots of fun in my studio and be curious about where my thoughts will lead me,” says Linnéa Sjöberg, who has been working in Berlin since 2016 and is busy preparing for a solo exhibition at Company Gallery in New York. Interview by Antonia Nessen.

Introducing the first cover story from our 10th anniversary issue. “Every job I do is yet a new episode that I put into my backpack of life," says accomplished actress Rebecca Ferguson. Photography by Magnus Magnusson, fashion by Claudia Englmann and interview by Antonia Nessen.

“I wanted to find strong colors that represent the different emotions that can be evoked in love,” says Louise Enhörning when she shows me her book Agape that accompanied the exhibition by the same name at Loyal Gallery in Stockholm. Louise, whose last name “Enhörning” means unicorn in Swedish, has a career that spans more than twenty years. She lived in Paris for a decade and presented her book Agape (Art and Theory Publishing, 2019) in conjunction with Paris Photo, the photography fair at the Grand Palais. By Antonia Nessen

Fashion designer Adam Swärd in conversation with Maria Ben Saad on criticality and gender non-conformity in fashion.

Fashion photographs, both everywhere and far detached. I first encountered them as a child in the shape of my mother’s German women’s magazines. Shyly devouring every image, wondering about what grown-up life in grown-up bodies might be like. Later glossy luxurious fashion magazines, hardly ever purchased, mainly found, seen, touched, glanced at in public spaces, at hair dressers, places where wo/men are indulging into becoming more perfected, idealized versions of themselves. Inspired by model images. Essay by Andrea Kollnitz

Imagination, nostalgia and emotion, traditionally the preserve of the fine arts, have an enduring presence in architecture and fashion. Essay by Bradley Quinn

If there is one thing that is clear in fashion, it’s that designers can never make it alone. After all, fashion is a field involving many different professions that bring their respective knowledge, network and expertise together in order to realize a designer’s vision. This is something Nathalie Dufour knew when she set up the prestigious ANDAM award in 1989. Paris was famous for launching international names, but the French were lacking the necessary entrepreneurial spirit and managerial skills. Interview by Philippe Pourhashemi

At times when insects need a protective shell, some of them spin silky fibres around themselves to form soft, armour-like habitats. When humans feel a need for protection, something similar sometimes occurs. We instinctively retreat into our living spaces, where we can feel shielded from the perceived dangers outside. By Bradley Quinn

Ironic fashion and a growing interest in the materiality of clothes are intertwined in the sub-trend for women with full-length dresses, floral prints, puff sleeves, prairie styles, and high collars. We take a closer look at clothes that blur the lines between fiction and reality. Essay by Antonia Nessen

With a career in PR built on the success of young and independent brands, Robin Meason understands the complex nature of today’s industry. The Texas native, who moved to Paris in the early 1990s, largely contributed to the global rise and fame of Glenn Martens and Demna Gvasalia, two designers who have – in their own respective ways – defined the Zeitgeist. Meason is a great communicator and a woman who loves storytelling, but she’s more instinctive than calculating. She also values craft and authenticity, two key notions that may influence her choice when it comes to collaborating with new brands. By Philippe Pourhashemi