Last weekend I packed my bags and took off to Brussels to visit Petr Davydtchenko’s first solo exhibition. Excited about going to the opening, I jumped on a plane and the two hours I spent on the flight felt like an entire lifetime. I was eagerly looking forward to seeing his site-specific installation, sculpture, video and photographic works, which deal with the civility of aesthetics, at the Harlan Levey Projects Gallery in Brussels. By Sara Litzén