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  • 25 June 2018

    Fashion Story: Lisa

    Photography by Katya Frolova and Nick Rudenko

  • 24 June 2018

    Fashion Story: Hiraeth

    Photographer by Donna McGowan and fashion by Amanda Blackwood.

  • 23 June 2018

    Fashion Story: By The Lake

    Photography and fashion by Demkova Olga.

  • 22 June 2018

    Fashion Story: How Fragile Still

    Photography by Valerio Nico and fashion by Francesco Migliaccio.

  • 21 June 2018

    Fashion Story: Early Mornings

    Photography by Ramona Deckers and fashion by Annemarijn Bulsink.

  • 20 June 2018

    Fashion Story: Like A Dream

    Photography by Walter Pierre and fashion by Robbie Schweiger

  • 19 June 2018
    Openness and Tolerance. Interview with Christelle Kocher

    Openness and Tolerance. Interview with Christelle Kocher

    Seen from the outside, fashion isn’t exactly a warm and welcoming place. Riddled with preconceptions, snobbery and nepotism, it’s a field of intense power and competition, where egos rule and democratic thinking fades. Strangely enough, that is not the story of French designer Christelle Kocher, whose Paris-based brand KOCHÉ has challenged the status quo since its launch in 2014. Interview with Head Designer of Koché, Christelle Kocher by Philippe Pourhashemi. Photography by Magnus Magnusson

  • 17 June 2018

    Fashion Story: Homeward Bound

    From our latest ESC issue. Photography by Angelina Bergenwall and styling by Adam Pettersson.

  • 16 June 2018

    Fashion Story: Denim Grunge

    Photography by Frank Widemann and fashion by Trang Cao.

  • 15 June 2018
    Escaping the Womb. Essay by Antonia Nessen

    Escaping the Womb. Essay by Antonia Nessen

    Maternity and nursing clothes are an overlooked chapter in fashion history, but in the 1930s the symbolic value of clothing was considered to have a deep connection to motherhood. One of the reasons for our obsession with fashion is our unconscious desire to return to the womb. This is one of the conclusions in J. C. Flügel’s famous book “The Psychology of Clothes” from 1930. Essay by Antonia Nessen

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