Cover story from our new print issue, available now. Second cover by photographer Rami Hanna and fashion by our editor-in-chief Robert Rydberg.
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"If you're honest you'll never be trapped in a corner." Speaking to pop star Karen Marie Ørsted, whose career has exploded following her debut album No Mytholo- gies to Follow, about the music industry, creativity, and collecting memories. Interview by Antonia Nessen. Photography by Magnus Magnusson and styling by Robert Rydberg.
The theme that runs through our latest print issue is CASTING AND COLLECTIONS. Both are central concepts in fashion. The mechanism behind changes in fashion can be compared to a kaleidoscope. Unreliable pieces of clothing are always in flight, ready to become something else. The key to taking hold of these fleeting moments is usually to look at a designer’s handiwork in detail from collection to collection, since clothing derives its consistency from its role as part of a series. Other paths to finding a narrative in fashion are through styling or photography. Patterns seen through the fashion kaleidoscope can, however, easily be freed of their current meaning. After giving it a few violent shakes, they can go from being interpreted as frivolous to provocative and offensive, by rearranging the compositions and shaping themselves into different meanings. By using the kaleidoscope as a metaphor for fashion in this issue entitled CASTING AND COLLECTIONS, we look back at the modernist writers of the early twentieth century who frequently returned to the image of the optical instrument in their writings. When describing the modern experience in “Arcades Project,” Walter Benjamin for one, writes that: “Every age unavoidably seems to itself a new age. The ‘modern,’ however, is as varied in its meaning as the different aspects of one and the same kaleidoscope.
“I feel unreliably free,’’ says Lykke Li, one of the most talked-about and critically admired musicians of her generation. “It’s been a rough couple of years and the album was so hard-core to make as well, so I feel unbelievably thankful that it’s done and that I’m still alive. I’m in love with life again.” Photography by Magnus Magnusson. Fashion by Robert Rydberg