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Fashion Story: Sometimes
Photography by Melanie Rodriguez and fashion by Clara Dayet
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Fashion Story: Preludium
Photography by Dasza Wasiak and fashion by Olga Kasma.
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Fashion Story: Into The Dark
Photography by Alexandre Felix and fashion by Carlos Victimo.
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Fashion Story: Precious
Photography by Chris Haimerl, fashion by Sandra Cienkowski and Andrea Körber.
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Big Time Sensuality. Interview with Designer Johanna Senyk
Johanna Senyk is the Paris-based mastermind behind womenswear brand Wanda Nylon. Her concept was simple at first: she wanted directional and stylish waterproof clothes that could complement a trendy wardrobe. Capitalizing on her own singularity and tapping into the fashion world’s ongoing obsession with fetishism and anything kinky, Wanda Nylon has quickly become a desirable brand, attracting press and buyers. Now, Senyk shows her collections in Paris seasonally and has stockists worldwide. Interview by Philippe Pourhashemi
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Fashion Story: Waiting For A Moment
Photography by Whitney Hayes and fashion by Mar Peidro.
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Fashion Story: You Touched Me With Your Mind
Photography by Laura Kaczmarek and fashion by Simon Riepe.
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Creating New Systems. Interview with Curator Stefanie Hessler
Innovatively promoting the interaction between artists and audience, Stefanie Hessler is a dedicated curator involved in several interesting projects and the founder of the progressive art space Andquestionmark in Stockholm. We met with her to talk about the curating process, multisensory experiences, and the negotiation between “real” and virtual worlds. Interview by Antonia Nessen.
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A Fashion Intellectual. Interview with Caroline Evans
Fashion historian and theorist Caroline Evans has described herself as someone who lives very much in her head. But as she explains in this email interview, her interest has always been in applied rather than pure theory, as it relates to contemporary visual culture. She also loves interacting with the students at Central Saint Martins, where she is Professor of Fashion History and Theory. In her now iconic study of fashion in the 1990s, ‘Fashion at the Edge’, she used theory as a set of tools for thinking, drawing equally on images, objects, and ideas. In her new book, ‘The Mechanical Smile’, she traces the earliest history of the fashion show, a topic that is basically unexplored within fashion studies. In the process, she also found herself dealing with the idea of fashion as a situated, embodied and spatial practice. Fleeting moments of lived experience – the walk, the smile, the pose, the gestures, the attitude. Interview by Maria Ben Saad