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  • 2 July 2015

    Interview with Inez van Lamsweerde and Vinoodh Matadin

    INTERVIEW Inez van Lamsweerde and Vinoodh Matadin are giants of contemporary fashion photography. Now showing at Fotografiska in Stockholm, The Pretty Much Everything exhibition tells the story of the duo’s thirty-year career.

  • 1 July 2015

    Fashion Story: The Days And The Daydreams

    Photography by Veronica Formos and fashion by Gian Carlo Umahon.

  • 30 June 2015

    Fashion Story: The Sounds Of Silence

    Photography by Camilla Cionfrini and fashion by Luca Balzarini.

  • 29 June 2015

    On The Road: Seville, Spain

    Stina Thornqvist explores the skies in the spanish city the sometimes call Seville.

  • 27 June 2015

    Fashion Story: Before We Were Young

    Photography by Donald Gjoka and fashion by Noey Park
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  • 25 June 2015

    Fashion Story: A New Shape Of Things

    Photography by Claudia Grassl and fashion by Oriana Tundo.

  • 24 June 2015

    Fashion Story: When I dream, I dream in Color

    Photography by Chiara Predebon and styling by Elly Cheng.

  • 23 June 2015

    In Front Of Us: Helsinki, Finland

    Photographer Igor Termenon explores the city up north the sometimes call Helsinki.

  • 22 June 2015

    Fashion Story: Linnea The Cat and Jaana

    Linnea Rimberg and Jaana Alakoski photographed by Nina Andersson.

  • 19 June 2015

    Signs Of Time. Essay on making Peace with Death in Fashion

    Throughout history, fashion has been criticized for being superficial and out of touch with reality. As sociologist Yuniya Kawamura writes in her book Fashion-ology from 2005, fashion has been attacked by both scholars and feminists and didn’t become a legitimate research topic until recently (basically in the eighties, when fashion studies was established as an academic field). She quotes Sandra Niessen and Anne Brydon, who describe different historical attitudes towards fashion: “Social analyses uniformly condemned fashion. Feminists critiqued the sexual politics and gender oppression inhering in clothing which hobble and confine women. Marxists critiqued the fetishism of fashion and the ideology of conspicuous consumption. Psychologists treated fashion adherence as pathology.” By Maria Ben Saad

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