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Fashion Story: Study of Rebecca
Rebecca Szulc photographed by Yu Tsai in Hollywood, California.
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Fashion Story: Study of Bambi
Photography by Yu Tsai
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Fashion Story: Triplets & Twins
Triplets, twins, sisters and brothers. They look the same but they are not the same person. Who is the original? Is one of them a copy? From our latest issue. Photography by Magnus Magnusson and fashion by Editor-in-Cheif Robert Rydberg.
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Fashion story: Study of Ton in Suite 4
Ton Heukels shot by Yu Tsai and styled by Martina Nilsson
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FASHION STORY: THE END IS NOT NEAR, THE FUTURE IS HERE
Photography by Gilad Sasporta and fashion by Sophie Clauzel. Click for details.
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FASHION STORY: SUNG HEE, MARTINA NILSSON & YU TSAI
Model Sung Hee photographed by Yu Tsai and styled by Martina Nilsson for our latest issue, The Boss issue. Now you can put Sung Hee on your wall by buying the issue that consists entirely of posters (in the size of 100 centimeters x 70 centimeters), click here to see more.
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FASHION STORY: IF YOU GET A HUG
Photography by Lars Bronseth and fashion by Josefine Skomars. Click for details.
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The Rise and Fall of the Harpsichord in the 1960s
Between 1965 and 1969 the harpsichord lit up recordings by everyone from Miles Davis to Brigitte Bardot, the Beatles to the Four Tops, Elton John to Waylon Jennings. But what was it about this boxy, donkeyish uncle of a piano that could transcend such disparate contexts? And what made it such a ubiquitous presence internationally in the music of the 1960s? By Tom Greenwood
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Jared Leto. Interview and Cover Story
“I wanted to be a painter but felt constrained by the two-dimensionality and by the process at the time. I explored everything from sculpting to pottery to photography and then focused on filmmaking, all the while making music in my own time. It was there and with music I connected in a deep way.” Interview and cover story with Jared Leto by Yu Tsai. Fashion by Martina Nilsson
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As beautiful as the chance meeting. Interview with a Jewelry Artist
One of the reasons why award-winning jewelry artist Märta Mattsson started working with dead organic material was because insects scared her. By confronting the uncon- scious, her creative process works as a kind of cognitive behavioral therapy that allows her to explore the polarity between the ugly and the beautiful, the repulsive and the appealing, […]
