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  • 3 August 2018

    Fashion Story: Power Play

    Photography by Emily Malan and fashion by Jenni Lee.

  • 30 October 2018
    #16

    #16

    Out now! The New Issue of Contributor is here What’s in the box? Instead of a conventional magazine format, we continue to put Contributor in a box. The content of our Art Boxes is always loose leaf, tactile experiences where the sheets come in different sizes and textures. We also always include one of our greatly […]

  • 30 October 2018
    Out Now! The New Issue of Contributor is here

    Out Now! The New Issue of Contributor is here

    What’s in the box? Instead of a conventional magazine format, we continue to package Contributor in a box. Inside you’ll find a selection of large prints in two different sizes and one poster. We’re thrilled to have the actress Katherine Waterston on the cover. Waterston’s lived-in, full-bodied, and palpable commitment is why she’s become a reliable source for a variety of directors looking to infuse their characters with a visceral complexity, a nuanced humanity, that’s difficult to find elsewhere.

  • 31 December 2020

    Goodbye 2020, Hello 2021

    Contributor wishes you all a magical happy new year! See you around in 2021.

  • 8 March 2019

    Fashion Story: Love Letters

    Photography by Tiago Chediak and fashion by Karen Schijman.

  • 10 June 2018

    Fashion Story: Co-Op

    From our latest ESC issue, Sofia Fanego. Photography by Magnus Magnusson and styling by Robert Rydberg.

  • 14 April 2017

    Fashion Story: Flushed and Vulnerable

    Photography by Jeremy Sachs-Michaels and fashion by Lisa Bradkin.

  • 7 August 2015

    Fashion Story: Far Away Is Far Enough

    Photography by Julien Bowry and fashion by Yen Chen.

  • 28 September 2013

    The Rise and Fall of the Harpsichord in the 1960s

    Between 1965 and 1969 the harpsichord lit up recordings by everyone from Miles Davis to Brigitte Bardot, the Beatles to the Four Tops, Elton John to Waylon Jennings. But what was it about this boxy, donkeyish uncle of a piano that could transcend such disparate contexts? And what made it such a ubiquitous presence internationally in the music of the 1960s? By Tom Greenwood

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