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Photography by Nadia Ryder and fashion by Roberta Hollis.
From our latest issue. Photography by Nadia Ryder and fashion by Roberta Hollis.
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Big Time Sensuality. Interview with Designer Johanna Senyk
Johanna Senyk is the Paris-based mastermind behind womenswear brand Wanda Nylon. Her concept was simple at first: she wanted directional and stylish waterproof clothes that could complement a trendy wardrobe. Capitalizing on her own singularity and tapping into the fashion world’s ongoing obsession with fetishism and anything kinky, Wanda Nylon has quickly become a desirable brand, attracting press and buyers. Now, Senyk shows her collections in Paris seasonally and has stockists worldwide. Interview by Philippe Pourhashemi
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Fashion Story: Ocean Debris
Photography by Gala Slater and fashion by Danielle Gaito.
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Photography by Niklas Bergstrand and Mateja Duljak, fashion by Hilda Sandström.
From our latest issue. Photography by Niklas Bergstrand and Mateja Duljak, fashion by Hilda Sandström.
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Fashion Story: Muse
Photography by Mich Noon and fashion by Kyanna James.
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Photography by Karl and Kristof, fashion by Carolina Orrico
From our latest issue. Photography by Karl and Kristof, fashion by Carolina Orrico.
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Gudrun Sjödén as imagined by Contributor
Photography by Magnus Magnusson and fashion by Robert Rydberg.
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Fashion Story: Silent Identity
Photography by Fabio Rovai and fashion by Connie Tsai.
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Sensory Pleasures. Interview with Zana Bayne
Pushing the boundaries of fashion is something Zana Bayne clearly excels at. Founded by herself and Co-Creative Director Todd Pendu, Zana’s eponymous brand quickly gained attention with its fetish-inspired accessories, highlighting the key relationship between sex, leather and skin. Since its launch in 2010, the brand has attracted famous musicians, actors, artists and private clients alike, who quickly became fans of Zana’s handcrafted harnesses, belts, chokers and bags. I caught up with her and Todd to discuss the evolution of their brand, why fashion still loves fetish and how being copied is ultimately unavoidable. Interview by Philippe Pourhashemi