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Fashion Story: The Future
Photography by Laura Martinova and fashion by Maya Lu.
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Pattern of Thoughts. Interview with Linnéa Sjöberg
From our 10 year anniversary issue. “The latest weaves are called Pattern of Thoughts. They don’t have any predetermined patterns, rather they are a kind of visualization of how my brain works when I weave. I try to have lots of fun in my studio and be curious about where my thoughts will lead me,” says Linnéa Sjöberg, who has been working in Berlin since 2016 and is busy preparing for a solo exhibition at Company Gallery in New York. Interview by Antonia Nessen.
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10 Years
10 Years of Contributor Introducing our 10th Anniversary Issue For over ten years, we have invited thousands of contributors to explore fashion through art and photography. From the start, Editor-in-Chief, Robert Rydberg wanted Contributor to be an extension of the atelier work that is essential to all fashion image-making. From his experience as an influential […]
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Love Notes. Interview with Artist Louise Enhörning
“I wanted to find strong colors that represent the different emotions that can be evoked in love,” says Louise Enhörning when she shows me her book Agape that accompanied the exhibition by the same name at Loyal Gallery in Stockholm. Louise, whose last name “Enhörning” means unicorn in Swedish, has a career that spans more than twenty years. She lived in Paris for a decade and presented her book Agape (Art and Theory Publishing, 2019) in conjunction with Paris Photo, the photography fair at the Grand Palais. By Antonia Nessen
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A Cycle of Creativity. Fashion Story and Interview
“We see ourselves as a fashion brand rather than a shoe brand and we believe that great design should not have to cost a fortune.” With an eye for the future, Vagabond Shoemakers established itself as a leading European footwear brand, both high in quality and style, over thirty years ago. Interview and fashion story from our 10th year anniversary issue. Photography by Ludde Rönn and fashion by Hilda Sandström.
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Experiencing Fashion Photography. Essay by Andrea Kollnitz
Fashion photographs, both everywhere and far detached. I first encountered them as a child in the shape of my mother’s German women’s magazines. Shyly devouring every image, wondering about what grown-up life in grown-up bodies might be like. Later glossy luxurious fashion magazines, hardly ever purchased, mainly found, seen, touched, glanced at in public spaces, at hair dressers, places where wo/men are indulging into becoming more perfected, idealized versions of themselves. Inspired by model images. Essay by Andrea Kollnitz
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Big Time Sensuality. Interview with Designer Johanna Senyk
Johanna Senyk is the Paris-based mastermind behind womenswear brand Wanda Nylon. Her concept was simple at first: she wanted directional and stylish waterproof clothes that could complement a trendy wardrobe. Capitalizing on her own singularity and tapping into the fashion world’s ongoing obsession with fetishism and anything kinky, Wanda Nylon has quickly become a desirable brand, attracting press and buyers. Now, Senyk shows her collections in Paris seasonally and has stockists worldwide. Interview by Philippe Pourhashemi
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Guts and Intellect. Interview with Designer Glenn Martens
This year’s ANDAM Prize winner has several reasons to be happy. In a few years, Glenn Martens has turned Y/Project into one of the buzziest and most sought-after brands in Paris, doubling stockists each season and gaining recognition from the press. Martens can simultaneously dress Rihanna, his best friends and beloved grandmother in Y/Project, because his clothes have a deeply human quality. Interview by Philippe Pourhashemi.
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Signs Of Time. Essay on making Peace with Death in Fashion
Throughout history, fashion has been criticized for being superficial and out of touch with reality. As sociologist Yuniya Kawamura writes in her book Fashion-ology from 2005, fashion has been attacked by both scholars and feminists and didn’t become a legitimate research topic until recently (basically in the eighties, when fashion studies was established as an academic field). She quotes Sandra Niessen and Anne Brydon, who describe different historical attitudes towards fashion: “Social analyses uniformly condemned fashion. Feminists critiqued the sexual politics and gender oppression inhering in clothing which hobble and confine women. Marxists critiqued the fetishism of fashion and the ideology of conspicuous consumption. Psychologists treated fashion adherence as pathology.” By Maria Ben Saad